آفاق سينمائية
Volume 11, Numéro 1, Pages 336-349
2024-06-20
Authors : Messaoudi Merwan .
The film "L'Oranais" (2014) directed by Lyes Salem skilfully mixes cinematography and narrative methods to dive into the difficulties of post-colonial Algeria. Through a multidimensional narrative technique and non-linear storytelling, the movie tackles issues of identity, colonialism, and resistance. Characters like ‘Said’ symbolise the quest for belonging amidst the tumult of independence, as the shadows of colonial tyranny deeply impact the socio-political setting. In this movie, cinematography plays a key part in character development, successfully expressing symbolism and themes via visual metaphors. With its precise attention to detail and comprehensive exploration of history, "L'Oranais" creates a powerful impression, compelling spectators to examine the persistent legacy of tyranny and the irrepressible endurance of the human spirit.
Post-colonialism ; Identity ; Resistance ; Cinematography ; Narrative techniques
Ezeh G. C.
.
Obiajunwa E. I.
.
pages 499-508.
فوزية بوكايس
.
ص 231-242.
Himri Sarra
.
Grazib Mohamed
.
Chaami Amine
.
pages 26-36.
Boudersa Hemza
.
pages 583-596.
Boudersa Hemza
.
pages 341-353.