مجلة العلوم الانسانية
Volume 17, Numéro 2, Pages 887-898
2017-12-31
اﻟﺣرف: ﻓﻠﺳﻔﺔ وﺟﻣﺎل وﺳﯾﺎﻗﺎت ﻓﻲ ﺷﻌر ﻛﻣﺎل اﻟدﯾن أدﯾب -ﻗ ارءة ﻟﻧﻣﺎذج ﻣﺧﺗﺎرة ﻣن اﻟﻣﺟﻠد اﻟﺛﺎﻟث – ﻣﻘﺎرﺑﺔ ﻧﺳﻘﯾﺔ
الكاتب : ﺻﺑﺎح ﺑن ﺳﻠﯾطﺎن . ﻧﻌﯾﻣﺔ ﺳﻌدﯾﺔ .
الملخص
ﺷﻬدت اﻟﺳﺎﺣﺔ اﻟﻠﺳﺎﻧﯾﺔ، واﻟﻧﻘدﯾﺔ ﺛورة ﻧظرﯾﺔ ﻋﻠﻰ ﻣﺳﺗوى اﻟﻣﻔﺎﻫﯾم وﻣﻧﻪ اﻟﻣﻣﺎرﺳﺔ اﻟﺗطﺑﯾﻘﯾﺔ، ﻓﻣن اﻟﻧص إﻟﻰ اﻟﻘﺎرئ وﻣن اﻟﺳﯾﺎق إﻟﻰ اﻟﻧﺳق اﻟذي ﯾﻌد ﻣﺟﻣوﻋﺔ ﻣن اﻟﻌﻧﺎﺻر اﻟﺗﻲ ﺗﺗﺷﺎﺑك وﻓق ﻧظﺎم ﻣﺣﻛم داﺧل اﻟﺑﻧﻰ اﻟﻧﺻّﯾﺔ،اﻟﺗﻲ ﺗﺷ ّﻛل ﺑدورﻫﺎ ﻋﺑﺎرة ﺗﺳﻣﺢ ﺑﺗداﺧل ﻛﺛﯾر ﻣن اﻷﻧﺳﺎق اﻟﻣﺧﺗﻠﻔﺔ. وﺗﺣﺎول ﻫذﻩ اﻟد ارﺳﺔ اﻟوﻗوف ﻋﻧد ﺗﯾﻣﺔ اﻟﺣرف واﺳﺗﻌﻣﺎﻻﺗﻬﺎ، وﺗﻘﺻﻲ ﺣﻘﯾﻘﺗﻪ واﻣﻛﺎﻧﯾﺔ اﺳﺗﻧطﺎق اﻟﻧص اﻟﺷﻌري ﺑﻪ، ﺧﺎﺻﺔ ﻧﺳق اﻟﺣرف ﻟﻠﺷﺎﻋر ﻛﻣﺎل اﻟدﯾن أدﯾب؛ ﻓﻣﺎ ﻫو اﻟﺣرف ﻋﻧد ﻛﻣﺎل اﻟدﯾن أدﯾب؟ وﻣﺎ ﻫﻲ ﺳﯾﺎﻗﺎﺗﻪ اﻟﺗداوﻟﯾﺔ ﻓﻲ اﻟﺧطﺎب اﻟﺷﻌري، واﻟﺗﻲ ﺳﯾﻘف ﻋﻧدﻫﺎ اﻟﻘﺎرئ؟؟ The linguistic and literary critical scenes have witnessed a concept-based revolution, and one case in point is the practical approach. The shift iis from the text to the reader and from the context to co-ordiination which is considered an overlap of a host of elements within textuaal structure , and which in turns allows for an overlap of different co-ordination. The current paper undertakes to investigate tthe nature of the letter and its uses. Besides, it is within the scope of thhis study to disclose the poetiical text through the aformentioned element. The case study is Kamel Eddin Adib’s poetical contribution. Therefore, what does the poet mean by letter ? What are its pragmatic contexts in the poetical discourse that the reader needs to ponder about.
الكلمات المفتاحية
اﻟﺣرف: ﻓﻠﺳﻔﺔ ، ﺷﻌر ﻛﻣﺎل اﻟدﯾن أدﯾب ، ﻣﻘﺎرﺑﺔ ﻧﺳﻘﯾﺔ
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