مجلة الآداب والعلوم الإنسانية
Volume 4, Numéro 1, Pages 1-23
2011-06-01
النظرية البيانية عند عبد القاهر الجرجاني
الكاتب : دوادي زينب .
الملخص
This study aims to show the esthetics of the figurative theory of Abdelkaher El Djorjani, one of the eminent scholars of Arabic, he has established the rules of meanings and explications in his two valuable books « the signs of inimitablity » and « the secrets of rhetoric », he gave the three concepts of rhetoric which are : (Analogy, metaphor and metonymy) a significant importance, his rhetoric insight is very deep and conscientious which distinguishes the Arabic explicative theory, for him the analogy stands out from the precision of thought and the metaphor involves a creativity and a ranged style characterized by a grammatical classification leading to an imaginative meaning needed to be transmitted to the receiver within a beautifully influential pattern. The metonymy is a figure of speech which seeks to confirm the meaning with proves and evidence, its semantic function is a balance between the talent and the creativity of the innovator. In all these rhetoric types, there are aesthetic specifities which distinguish the Djorjanian figurative theory characterized by the deep meditation and the vivid and renewable influence.
الكلمات المفتاحية
النظرية البيانية - الجماليات البلاغية
مقالات مماثلة
وليد بوعديلة
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ص 375-390.
حبيب الله علي إبراهيم علي
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ص 319-334.
برارات عائشة
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ص 363-379.
