دراسات فنية
Volume 6, Numéro 1, Pages 167-173
2021-12-26
Authors : بن سهلة ثاني سارة . باغلي بربار سعاد . حمزة رقيق مورو وسيلة .
In an epoch saturated with alleged innovativeness and novelty, intertextuality confuted these assumptions by giving a new roadmap to the intersection and interaction of different texts. Though its initial concentration had been oriented towards literary texts, the theory has set a massive step in the cinematic realm with a myriad of motion pictures. Cinema on the other hand, has proved to imitate the pre-existent social and literary poetics tremendously, conceptualizing a patent intertwined and intertextual relation with previous texts, movies, and discourses. The fantasy genre with its different borrowed hints and nodal images is no exception. Therefore, as a subject of scrutiny, this paper seeks to investigate the intertextual utterances utilized in most major fantasy blockbusters.
Intertextuality ; Cinema ; Discourse ; Adaptation ; Fantasy Genre
بوسالم أحلام
.
عابد يوسف
.
ص 117-132.
Yahia Zeghoudi
.
pages 74-88.
Remichi Selwa
.
Kohil Saida
.
pages 129-148.
Djerou Dounia
.
pages 1125-1137.
Khaled Khodja Cylia
.
pages 93-100.