Iles d Imesli
Volume 8, Numéro 1, Pages 115-128
2016-12-31
Auteurs : Lahlou Abdelhak .
Agzul Tazrawt-agi twehha ɣer yiferdisen igejdanen n uẓlay n tmedyazt n Belɛid At Ɛli ɣef tmedyazt tamensayt. Ad newwet ad d-nemmel amek i d-yegmer umaru-agi seg unsay aseklan d wamek i as-yefka i wayen yura udem amaynut i t-yebḍan d wayen yellan yakan. D ayen i yesbedden, di tmuɣli-nneɣ, asedyez n uẓlay (beṭṭu) ɣef tressa tetrarit. Abstract The study will be particularly focused on the main points of rupture that Belaid Ait-Ali has imprinted on Kabyle poetry. We will show that while drawing inspiration from the tradition, Belaïd Aït-Ali subverts substantially the old model thus inaugurating a poetic of the rupture which will engage the Kabyle poetry on the way of the modernity.+
Poétique de la rupture, tradition, poésie, modernité, poésie intimiste, poétique de la transparence
Bouafia-yahiaoui Tassadit
.
pages 77-87.
Mekideche Aldjia
.
pages 139-152.
Beggas Wafa
.
pages 1969-1980.
Assia Kellil
.
pages 05-24.
Ehui Jean Marius
.
Kouadio Kouassi Jean Bernard
.
pages 168-176.