أطراس
Volume 5, Numéro 2, Pages 265-279
2024-07-15
Authors : Mambetnazarova Rano .
Abstract. The subject of research in this work is the genre of travel in Karakalpak literature. It analyzes the works of the travel genre of individual Karakalpak writers who have visited abroad in various years. The research material was the poetic collection of the national poet of Karakalpakstan, Hero of Uzbekistan Ibrayim Yusupov “Evenings of distant Malaysia”, “Caucasus” and travel notes of the Karakalpak writer and scientist Kamal Mambetov “Travel”, which includes several sections: “Travel to India”, “Hello, Sri Lanka”, “Shores of the Black Sea of the Caucasus”, “In the native Nogai region” and “The ancestral homeland Turkestan”. The travel diaries of Karakalpak writers Gulaisha Esemuratova “American Impressions” and Zubaida Ishmanova “Travel through Europe” are also touched upon. Along with the above-mentioned works, the travel notes of the Karakalpak scientist Tazhen Izimbetov “Travel to five countries across the ocean” and the Karakalpak poet Maten Seitniyazov “Travel to seven countries” are studied. In particular, the author notes that with the motive of the road in literary travels, a special place is occupied by the description of nature and terrain. In her work, the researcher emphasizes the author's position and subjectivity in travel works in transmitting unknown information to readers. At the same time, in literary travels, the motive of the road occupies a central place, since on the way a person learns about himself, better understands his country, his people and his spiritual roots. The relevance and scientific novelty of the work lies in the insufficient studying of the genre of travel in the Karakalpak literature and the author's attempt to study the issue. The author considers the motive of the hero's journey in comparison with the motive of return.
Author-narrator, route, diary, nature, architecture, interior, plot, motive, road, landscape, facts, statistics.
بوسالم أحلام
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عابد يوسف
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ص 117-132.
Yahia Zeghoudi
.
pages 74-88.
Said Houari Amel
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pages 257-268.